is a statement from the BECTU, a union for cinema projectionists. It expresses concern for the future of cinema projectionists by saying that digital projection does not require a skill and that it casts doubt on “the future for prospects for the projectionist role.” Similarly, another of my items of research touches upon this very same point by mentioning that, managing the exhibition of a short film is “simple to handle” and does not require “dedicated personnel for receiving, prepping, showing, dismantling and returning the movie tape films.” I believe, personally, that this could actually work to the advantage of cinemas as it would potentially significantly reduce budget in cinema by removing the need to employ a trained projectionist. • My other piece of secondary research is a list of pros and cons of digital cinema in comparison with analogue film. Another good side to digital cinema is that the films are stored on many discs or on hard disks and can be copied with ease to an almost infinite scale but to reproduce film reel costs, roughly, $200/minute (according to www.dvfilm.com). Obviously the economic solution is to use digital film, especially with a limited budget. • A negative to digital films, according to my secondary research 5, is how some people believe the quality of analogue projection is better than digital and that the copying of the images is “more natural.” Because of this film makers could be stubborn about shooting on standard film, not being considerate for the distribution budget and then end up needing to raise additional funds to distribute, putting the release back another good few months. Another example of a negative side to digital cinema is how prone to “digital obsolescence” the technology is. Because the equipment is constantly being upgraded to allow for better quality and faster processes, the technology is continuously updating and, therefore, outdating older versions which certain cinemas may have paid thousands of pounds to have installed. Similarly, the process of developing film is well documented and understood by cinematographers and will produce very reliable images based on the film stock. However digital cameras has a “unique response to light” and digital treatment processes, apparently, have not yet been mastered by cinematographers. • My personal opinion is that digital cinema is the cinema of the future, as it will eventually mimic the look of analogue film and will perhaps, at some point, better it. The benefits economically outweigh the cons without a doubt according to my secondary research item 5. Digital cinema seems to save money in every possible way whereas analogue film exhibition seems to create unnecessary costs that digital can cover in a much cheaper way.