Upgrade to Pro
— share decks privately, control downloads, hide ads and more …
Speaker Deck
Features
Speaker Deck
PRO
Sign in
Sign up for free
Search
Search
Roman Wall Painting
Search
nichsara
October 11, 2012
Education
1
150
Roman Wall Painting
Lecture given October 11, 2012.
nichsara
October 11, 2012
Tweet
Share
More Decks by nichsara
See All by nichsara
African and Australian Rock Art
nichsara
0
170
Mapping the Cosmos: Mandalas
nichsara
0
100
Mapping the Cosmos: Buddhist and Hindu Art in Southeast Asia
nichsara
0
490
Lecture | Art of the Americas
nichsara
0
91
Discussion | Modern Discrediting of Ancient Creativity
nichsara
0
220
Discussion | African "Art" and the "Primitive"
nichsara
0
320
Lecture | African Art and European Contact
nichsara
0
520
Suger vs. Clairvaux
nichsara
0
110
Romanesque and Gothic Architecture
nichsara
0
540
Other Decks in Education
See All in Education
CHARMS-HP-Banner
weltraumreisende
0
180
人になにかを教えるときに考えていること(2025-05版 / VRC-LT #18)
sksat
4
1k
Dashboards - Lecture 11 - Information Visualisation (4019538FNR)
signer
PRO
1
2k
OpenSourceSummitJapanを運営してみた話
kujiraitakahiro
0
700
モンテカルロ法(3) 発展的アルゴリズム / Simulation 04
kaityo256
PRO
7
1.3k
Human-AI Interaction - Lecture 11 - Next Generation User Interfaces (4018166FNR)
signer
PRO
0
460
女子商アプリ開発の軌跡
asial_edu
0
400
Open Source Summit Japan 2025のボランティアをしませんか
kujiraitakahiro
0
710
日本の教育の未来 を考える テクノロジーは教育をどのように変えるのか
kzkmaeda
1
210
技術文章を書くための執筆技術と実践法(パラグラフライティング)
hisashiishihara
18
6.5k
子どものためのプログラミング道場『CoderDojo』〜法人提携例〜 / Partnership with CoderDojo Japan
coderdojojapan
4
16k
アウトプット0のエンジニアが半年でアウトプットしまくった話 With JAWS-UG
masakiokuda
2
310
Featured
See All Featured
Measuring & Analyzing Core Web Vitals
bluesmoon
7
490
Rebuilding a faster, lazier Slack
samanthasiow
82
9.1k
Building Adaptive Systems
keathley
43
2.6k
The Myth of the Modular Monolith - Day 2 Keynote - Rails World 2024
eileencodes
26
2.9k
A designer walks into a library…
pauljervisheath
207
24k
How GitHub (no longer) Works
holman
314
140k
Making the Leap to Tech Lead
cromwellryan
134
9.4k
RailsConf 2023
tenderlove
30
1.1k
Understanding Cognitive Biases in Performance Measurement
bluesmoon
29
1.8k
Optimising Largest Contentful Paint
csswizardry
37
3.3k
How To Stay Up To Date on Web Technology
chriscoyier
790
250k
How STYLIGHT went responsive
nonsquared
100
5.6k
Transcript
!"#$%&'$((&)$*%+%,& !"#$%&'() *+,-.+#$-&./$0123&4& & !#&'"() 566&789:;<&89& !,/#&)!"0123%4)#&$)!,/#&) 5/0"6%#3) & 7"6/.89,&4"0+.()
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
Pompeii 8$#0$%*$&
Aerial view of Naples. Mt. Vesuvius
Joseph Mallard William Turner, The Eruption of Vesuvius, 1817. K2&.$((2F&B"3&/*A&A/"2A&$%F&.(*#D2F&>0&1"&G/232&/2&.">(F&,21&1/2&
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
Mt. Vesuvius
)3*$0>A-&K">A2&"B&1/2&Q2R*-&)"#02**-&.H& 4L:;<&89H&
]>A1$C2&7">($%,23-&^&)23B"3#$%.2&"B&1/2&=(>120($@23& *%&1/2&N!"#$%P&K">A2&"B&I$0"(2$%&OOO-&_`4_H&&
The city of Pompeii, like its neighbors, has been partially
excavated from beneath the volcanic debris of an eruption in 79 CE.
S/2&!"#$%&Q*(($& S$D23%$&
S/2&!"#$%&Q*(($& U$3$3*>#& 8>.*%$& 9E.2F3$& U$3$3*>#&
=*3A1:?1@(2& ?2."%F:?1@(2& S/*3F:?1@(2& =">31/:?1@(2& ?1@(2A&"B&)"#02*$%&)$*%+%,&
K">A2&"B&?$((>A1-&)"#02**-&=*3A1:?1@(2-&.H& L%F&.2%1>3@&789H& !"#$%&"'&()**#$+& =*3A1:?1@(2&
=*3A1:?1@(2& K">A2&"B&?$((>A1-&)"#02**-&=*3A1:?1@(2-&.H&L%F&.2%1>3@&789H&
=*3A1:?1@(2& K">A2&"B&?$((>A1-&)"#02**-&=*3A1:?1@(2-&.H&L%F&.2%1>3@&789H&
=*3A1:?1@(2& K">A2&"B&?$((>A1-&)"#02**-&=*3A1:?1@(2-&.H&L%F&.2%1>3@&789H& ,)-"& .$"-"/01&2"#3$%& (+3045&2"#3$%& .$"-"/01&2"#3$%& a31/"A1$12A& OA"F"#*.&8">3A2& )(*%1/& 8"3%*.2&
=*3A1:?1@(2& K">A2&"B&?$((>A1-&)"#02**-&=*3A1:?1@(2-&.H&L%F&.2%1>3@&789H& K">A2&"B&1/2&?$#%*12-& K23.>($%2>#-&_66:`6& 789&
=*3A1:?1@(2& K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-& b6&789H&& !"#$%&"'&6#7*0#$&8)440#$&(940$+"3&
?2."%F:?1@(2& K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&&
?2."%F:?1@(2& S$D(*%>#-&K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&& =$(A2&c""3& S/2$13*.$(&T$AJ& S/2$13*.$(&T$AJ& N8("A2FP&'$((& U$#0A& U$#0A&
?2."%F:?1@(2& S$D(*%>#-&K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&& =$(A2&c""3& S/2$13*.$(&T$AJ& S/2$13*.$(&T$AJ& N8("A2FP&'$((& U$#0A& U$#0A&
9C23@F$@&U*B2d&S/2$123& S/2$123&T$AJ& S/2$123&?.2%2-&e3$123-& ^0>(*$%&!2F&'$32-&.H&M66& 789H&&
?2."%F:?1@(2& 8>D*.>(>#&T-&K">A2&"B&)>D(*>A&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&& Na02%P&'$((& & & & & & & &
& & 9E123*"3&?0$.2&
?2."%F:?1@(2& 8>D*.>(>#&T-&K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&&
?2."%F:?1@(2& 8>D*.>(>#&T-&K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&& 8>D*.>(>#&T-&7"A."32$(2-&)$%"3$#*.&Q*2GH&
?2."%F:?1@(2& 8>D*.>(>#&T-&K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&&
?2."%F:?1@(2& 8>D*.>(>#&T-&K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&&
?2."%F:?1@(2& S$D(*%>#-&K">A2&"B&=$%%*>A&?@%*A1"3-&7"A."32$(2-&b6&789H&&
S/*3F:?1@(2& K">A2&"B&T$3.>A&U>.32+>A&=3"%1"& K">A2&"B&T$3.>A&U>.32+>A&=3"%1"-& )"#02**-&.H&56:46&89&
S/*3F:?1@(2& K">A2&"B&T$3.>A&U>.32+>A&=3"%1"-&)"#02**-&.H& 56:46&89&
S/*3F:?1@(2& ^13*>#&$%F&S$D(*%>#-&K">A2&"B&T$3.>A&U>.32+>A& =3"%1"-&)"#02**-&.H&56:46&89&
S$D(*%>#-&K">A2&"B&T$3.>A&U>.32+>A& =3"%1"-&)"#02**-&.H&56:46&89& =($[2%2F-&(*%2$3& $3./*12.1>3$(&B2$1>32AH& T"%"./3"#2& D$.J,3">%FH& 9#D(2#$1$& ?2."%F&?1@(2&
I$3.*AA>A-&S$D(*%>#-&K">A2&"B&T$3.>A&U>.32+>A&=3"%1"-& )"#02**-&.H&56:46&89&
I$3.*AA>A-&S$D(*%>#-&K">A2&"B&T$3.>A&U>.32+>A&=3"%1"-& )"#02**-&.H&56:46&89&
S$D(*%>#-&K">A2&"B&T$3.>A&U>.32+>A& =3"%1"-&)"#02**-&.H&56:46&89&
S$D(*%>#-&K">A2&"B&T$3.>A&U>.32+>A& =3"%1"-&)"#02**-&.H&56:46&89&
S$D(*%>#-&K">A2&"B&T$3.>A&U>.32+>A& =3"%1"-&)"#02**-&.H&56:46&89&
S$D(*%*>#-&K">A2&"B&T$3.>A&U>.32+>A& =3"%1"-&)"#02**-&.H&56:46&89&
S$D(*%*>#-&K">A2&"B&T$3.>A&U>.32+>A& =3"%1"-&)"#02**-&.H&56:46&89&
c*f232%1&!"#$%&."0*2A&Z_A1:L%F&.2%1>3*2A&89\&"B&T@3"%gA&M1/:.2%1>3@&89&D3"%h2&"3*,*%$(H&
=">31/:?1@(2& K">A2&"B&1/2&Q2R*-&)"#02**-&.H&4L:;<& 89H&
=">31/:?1@(2& K">A2&"B&1/2&Q2R*-&)"#02**-&.H&4L:;<&89H&
Wall painting in the lIxion Roomz of the House of
the Vettii, Pompeii, 62-79 CE ?*#>($12F&T$A"%3@& _& =($[2%2F&9#D(2#$1$& 5& O((>A*"%*A+.&?0$.2& L&
6-25, Wall painting in the lIxion Roomz of the House
of the Vettii, Pompeii, 62-79 CE
6-25, Wall painting in the lIxion Roomz of the House
of the Vettii, Pompeii, 62-79 CE
6-25, Wall painting in the lIxion Roomz of the House
of the Vettii, Pompeii, 62-79 CE
4:5_-&)"313$*1&"B& T$%&$%F&'*B2-& )"#02**&K">A2& QOO-&_A1&.2%1>3@&89H&
6-30, Still life, House of the Stags (Cervi), Herculaneum, c.62-79
CE
Q2AA2(A&G*1/&I$1>32gA&7">%1@-&K">A2&"B& i>(*$&=2(*E-&_A1&.2%1>3@&89H&
=32A/&=*A/&$%F&8($#A-&8$A$&F2*&8$A+& ^#$%+-&)"#02**-&_A1&.2%1>3@&89&
U$%FA.$02-&K">A2&"B&U*C*$-&!"#2-&L;& 789:_b&89H&
83*+.$(&S/*%J*%,&j>2A+"%& _H K"G&F"2A&1/2&A13>.1>32&"B&1/2&!"#$%&/">A2& ."332A0"%F&1"&1/2&>A$,2&"B&1/2&A0$.2k&S/2& A1$1>A&"B&1/2&/"#2"G%23k& LH '/@&$32&1/2&B">3&A1@(2A&"B&)"#02*$%&0$*%+%,& 2E132#2(@&03"D(2#$+.k& 5H K"G&F"&1/2&0$*%+%,A&03"l2.1&1/2&A1$1>Am
*F2%+1@&"B&1/2&/"#2"G%23k&