$30 off During Our Annual Pro Sale. View Details »

A framework for discourse in typeface design

A framework for discourse in typeface design

This lecture was delivered at the 6th ICTVC, in Thessaloniki. It discusses structuring relevant literature for teaching, and supporting independent learning, in typeface design.

Gerry Leonidas

July 08, 2016
Tweet

More Decks by Gerry Leonidas

Other Decks in Design

Transcript

  1. A framework for discourse in typeface design
    Gerry Leonidas

    View Slide

  2. Discussing priorities | Developing a field
    Visual communication is now an established discipline with a
    burgeoning professional practice, varied educational systems, critical
    research, national and international conferences and competitions,
    trade magazines, and academic journals. 

    Across many areas, visual communication is entering a period of
    sustained growth and expansion. This calls for strategic decisions for
    directions of development, setting priorities for action, and clarifying
    relationships with related areas of activity.

    View Slide

  3. Developing a field: discussing priorities
    Visual communication is now an established discipline with a
    burgeoning professional practice, varied educational systems, critical
    research, national and international conferences and competitions,
    trade magazines, and academic journals. 

    Across many areas, visual communication is entering a period of
    sustained growth and expansion. This calls for strategic decisions for
    directions of development, setting priorities for action, and clarifying
    relationships with related areas of activity.

    View Slide

  4. Typeface design is a social enterprise.

    View Slide

  5. practice
    instructions
    compendia, indirect records
    historical accounts
    specifications for practice
    narratives of interpretation and explanation
    [theory]

    View Slide

  6. practice
    compendia, indirect records
    historical accounts
    instructions and specifications for practice
    interpretation, explanation
    [theory]

    View Slide

  7. Volume and intensity of practice
    obscure interpretation

    View Slide

  8. 1
    Typemaking environments are commoditised

    View Slide

  9. View Slide

  10. 2
    The added value of design is redefined 

    away from the visible acts of practice

    View Slide

  11. 3
    A typeface does not contain enough 

    information to explain itself

    View Slide

  12. Channels of distribution

    View Slide

  13. View Slide

  14. View Slide

  15. View Slide

  16. View Slide

  17. View Slide

  18. View Slide

  19. “Rejection or ignorance of the rich and varied 

    history and traditions of typography are

    inexcusable; however, adherence to traditional 

    concepts without regard to contemporary 

    context is intellectually lazy and a threat 

    to typography today.”
    Jeffery Keedy

    The rules of typography according 

    to crackpots experts 

    Eye 9, 1993

    View Slide

  20. Visible Language* 50th anniversary issue
    *Journal of Typographic Research

    View Slide

  21. Visible Language 50th anniversary issue
    240+ submissions

    View Slide

  22. Adobe. (1990) Adobe Type 1 Font Format
    Sutton, J., & Bartram, A. (1968) An atlas of typeforms
    Ahrens, T., & Magicura, S. (2014) Size-specific adjustments to type designs
    Lawson, A. S. (1990) Anatomy of a Typeface
    Lund, O. (1999) Knowledge construction in typography: the case of legibility
    research and the legibility of sans serif typefaces
    Hochuli, J., & Kinross, R. (1996) Designing books: practice and theory
    Poynor, R. (2003) No more rules: graphic design and postmodernism
    Spiekermann, E. (2013) Stop stealing sheep and find out how type works
    Spiekermann, E. (1986) Ursache und Wirkung. Ein typographischer Roman

    View Slide

  23. View Slide

  24. View Slide

  25. Twyman, Michael 

    (1998) The British Library guide to printing: history and techniques
    Twyman, Michael 

    (1970) Printing 1770–1970

    View Slide

  26. Framework for enquiry

    View Slide

  27. 1. Approaches to historiography
    2. Paradigms for typemaking
    3. Discussions of typefaces in the context of use
    4. Examinations of specification for making
    5. Explanations for typeform construction
    6. Approaches to validation

    View Slide

  28. 1. Discussions the past
    2. Ways of making type
    3. Typefaces in documents
    4. Capturing knowledge for others
    5. Explanations of lettermaking
    6. Does it work for that?

    View Slide

  29. Approaches to historiography

    View Slide

  30. View Slide

  31. Paradigms for typemaking
    1. letters made to size, mostly by hand
    2. typefaces engineered for proprietary reproduction
    3. typefaces as platform-independent products
    4. typefaces as formal relationships within systems

    View Slide

  32. Discussions of typefaces in the context of use
    1. lines and paragraphs
    2. persistent documents and ephemera
    3. Type families, type systems
    4. global type, global typography

    View Slide

  33. View Slide

  34. Implications of specification for making
    1. models for letters
    2. emerging disciplines of practice
    3. typeface design as an open-ended system

    View Slide

  35. View Slide

  36. Explanations for typeform construction
    1. Gerritt Noordzij’s moving pen
    2. Richard Southall’s models and patterns
    3. organic / sampled / constructed patterns

    View Slide

  37. View Slide

  38. View Slide

  39. View Slide

  40. adhesifny
    adhesifny
    EssayText by Ellmer Stefan

    View Slide

  41. adhesifny
    adhesifny
    Fenland by Jeremy Tankard

    View Slide

  42. Approaches to validation
    1. systems with defined constraints
    2. the “performance” of rendered text

    View Slide

  43. View Slide

  44. View Slide

  45. 1. Approaches to historiography
    2. Typemaking paradigms
    3. Type in the context of use
    4. Specification and making
    5. Typeform theories
    6. Approaches to validation

    View Slide

  46. View Slide

  47. MRes Typeface Design

    View Slide

  48. Thank you
    @gerryleonidas
    @typefacedesign
    [speakerdeck.com/gerryleonidas]

    View Slide