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Magical Vision and Occult Text in Georg Bocskay's and Joris Hoefnagel's "Mira calligraphiae monumenta"

Magical Vision and Occult Text in Georg Bocskay's and Joris Hoefnagel's "Mira calligraphiae monumenta"

Matthew Lincoln, presentation for the 2013 Sixteenth Century Society Conference

The "Mira calligraphiae monumenta is one of the most intriguing objects of the kusntkammer of Rudolf II. The creators of this layered work never met each other; Georg Bocskay, secretary for Ferdinand I, penned the manuscript’s calligraphic displays in 1561-2, while Joris Hoefnagel was commissioned by Rudolf three decades later to illuminate this treasure with brilliantly rendered flora and fauna. It has been argued that Hoefnagel’s additions establish a paragone between the painted image and the written word, his illusionistic naturalia surpassing Bocskay’s page-bound artificialia. It has been further argued that the outcome of this paragone reflects a Paracelsian philosophy shared by the Rudolfine court: that true knowledge can only come from natural investigation and not from secondary texts. However, this interpretation elides the complexities of magical and occult studies in Prague. The diverse schools of occult thought entertained at the Rudolfine court also included that of Heinrich Cornelius Agrippa, who believed inscribed signs had the capacity to become sigils endowed with power over the natural world. I argue that the complex formal interplay of text and image on certain pages of the MCM at times suggests that Bocskay’s scripts indeed hold sway over Hoefnagel’s natural objects. This suggests that even as Rudolf and his court appreciated the MCM for its aesthetic beauty and inventiveness, these semiotically-intelligent readers must also have related its formally-cohesive tableaus of text and nature to sixteenth-century occult notions of the physical power of the inscribed sign investigated in their own court.

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Matthew Lincoln

October 24, 2013
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  1. Magical Vision and Occult Text in Georg Bocskay’s and Joris

    Hoefnagel’s Mira calligraphiae monumenta Matthew D. Lincoln Ph.D Student Department of Art History & Archaeology University of Maryland, College Park October 24, 2013
  2. Joris Hoefnagel, illuminator (1591-96); Georg Bocskay, scribe (1561-62), Mira Calligraphiae

    Monumenta, J. Paul Getty Museum, Malibu
  3. Fol. 21 Fol. 22

  4. Fol. 120 Fol. 53

  5. Fol. 20 recto

  6. None
  7. Fol. 20 recto Pilgrim badges in the borders of a

    Nativity scene in a book of hours from the first quarter of the 16th century. The Hague, MMW 10 E 3, fol. 90v.
  8. Fol. 61 recto Fol. 61 verso

  9. Fol. 25 Fol. 84

  10. Fol. 96 Fol. 112

  11. Fol. 126 Fol. 106

  12. Giuseppe Arcimboldo Rudolf II as Vertumnus, 1590 Sklokloster Palace, Sweden

  13. Joris Hoefnagel, Horoscope of Rudolf II, Österreichische Nationalbibliothek, Cod. Min.

    31, fol. 1
  14. Heinrich Cornelius Agrippa of Nettesheim, De occulta philosophia libri tres,

    1551.
  15. Fol. 9 Fol. 16

  16. Fol. 33 Fol. 7

  17. Fol. 112 Fol. 20 recto

  18. Fol. 35

  19. Fol. 118 Fol. 119

  20. Matthew D. Lincoln Ph.D Student Department of Art History &

    Archaeology University of Maryland, College Park mlincol1@umd.edu matthewlincoln.net @matthewdlincoln