Upgrade to Pro
— share decks privately, control downloads, hide ads and more …
Speaker Deck
Sign up for free
Menu
Search
Features
All features
Private URLs
Password Protection
Custom URLS
Scheduled publishing
Remove Branding
Restrict embedding
Deck Collections
Notes
Features
All features
Private URLs
Password Protection
Custom URLS
Scheduled publishing
Remove Branding
Restrict embedding
Deck Collections
Notes
Explore
Featured decks
Featured speakers
Programming
Technology
Storyboards
Explore
Featured decks
Featured speakers
Programming
Technology
Storyboards
Pricing
Search
Sign in
Sign up for free
Abdul Sattar - Face analysis by Multi-Objective...
Search
SCEE Team
October 30, 2008
Research
53
0
Share
Embed
Copy iframe code
Copy JS code
Copy link
Start on current slide
Abdul Sattar - Face analysis by Multi-Objective 3D Active Appearance Model
SCEE Team
October 30, 2008
More Decks by SCEE Team
See All by SCEE Team
Cédric Marchand - Non-Binary LDPC codes
scee_team
1
620
Marie Chabert - Periodic Non-Uniform Sampling (PNS) for Satellite Communications
scee_team
0
160
Eleftherios Kofidis - Channel Estimation in Filter Bank-based Multicarrier Systems: Fundamentals and Recent Advances
scee_team
0
220
Adrien Thierry - Reconfiguration Partielle dynamique des FPGA pour les Applications Spatiales
scee_team
0
140
Hamed Ahmadi - Learning, prediction and selection algorithms for opportunistic spectrum access
scee_team
0
95
Arman Farhang - New Waveform Candidates for 5G: Options and Opportunities
scee_team
0
270
Julio Cesar - Novel spectrum sensing schemes for Cognitive Radio Networks
scee_team
0
140
Laurent Martinod - FP7 EMPHATIC project: Airbus D&S current view and study
scee_team
0
200
Vincent Savaux - Pilot-Aided and Blind Equalization in FBMC Modulation for PMR Networks
scee_team
0
190
Other Decks in Research
See All in Research
[最先端NLP勉強会2026] Checklists Are Better Than Reward Models For Aligning Language Models
nzw0301
1
320
第64回CV・PRML勉強会 論文紹介:Linguistic Priors for Visual Decoupling: Towards Symmetric Vision-Brain Alignment
sokikatayama
0
230
CVPR2026論文紹介_VLMにとって良いvision encoderとは何か?Rethinking Model Selection in VLM Through the Lens of Gromov-Wasserstein Distance
kobayashi31
1
240
秋葉原ウォーカブル基礎調査報告書
izumiyama_lab
1
140
Physical AIでモデリングはどう変わるか/How Physical AI Will Change Modeling
stktu
0
270
SAM3を用いたコマ・吹き出しの 領域検出と分割構造からの読み順推定
kzmssk
0
150
最先端NLP 2026 論文紹介: Wait, Wait, Wait... Why Do Reasoning Models Loop? / SNLP Paper Review: Wait, Wait, Wait... Why Do Reasoning Models Loop?
tkng
0
250
量子サマースクール2026「量子計算機アーキテクチャ分野の概観」
youten622
1
940
Fukui Shibiten 39 - AI Art
butchi
0
200
JPA2026_NetworkTutorial_JunKashihara
junkashihara
0
190
【ローカルAIに向き合う展示会vol.2】液体時間定数型モジュールを用いた オリジナルの双方向エンコーダーモデルNexteraBERT 推論速度向上検討並びにダウンストリーム評価
rikkabotan7
0
220
Sleuthcon Keynote - How Cybercriminals (ab)use AI
fr0gger
0
350
Featured
See All Featured
The Impact of AI in SEO - AI Overviews June 2024 Edition
aleyda
6
1.2k
More Than Pixels: Becoming A User Experience Designer
marktimemedia
3
540
What's in a price? How to price your products and services
michaelherold
247
13k
Ten Tips & Tricks for a 🌱 transition
stuffmc
1
240
Done Done
chrislema
187
17k
個人開発の失敗を避けるイケてる考え方 / tips for indie hackers
panda_program
123
22k
How to Build an AI Search Optimization Roadmap - Criteria and Steps to Take #SEOIRL
aleyda
1
2.2k
The SEO Collaboration Effect
kristinabergwall1
1
580
Kristin Tynski - Automating Marketing Tasks With AI
techseoconnect
PRO
0
530
Mind Mapping
helmedeiros
1
370
Leveraging LLMs for student feedback in introductory data science courses - posit::conf(2025)
minecr
1
410
Bash Introduction
62gerente
615
220k
Transcript
! " !## $ % # & ' % (
% ) * ! + $ # , * ! % - % * $ , $ . ' / % ' 0! 1 $ / 2 # & ' % ( % ) + *!344 ! !
! " !## $ % # & ' % (
% ) * ! + $ # , * ! % - % * $ , $ . ' / % ' 0! 1 $ / 2 # & ' % ( % ) + *!344 ! ! 5 " #! ! . ,# ! ' , $ % % 6 " , % 7 7 7 " , 7 7 3 / % 77 77 / . 8 % # 7 # ! & % ' ! 9 8 % 0 !: !: 4 ! 2 !## % 0!!$: $$2
4 #% !!$ / % 7 1 1 7 7
# 7 " 8 7 7 ( , 7 / 7 " 8 7 7 - % " ## # # # ; <= ; > < = ! ! 7 # 7 # # # * ; * > < = ; ?@,: @/: @&: ,: /: A B ! ! % % # / " / # : # % ) / 4 8 # % 7 7 % # - ## / #% , & " " (% 6 " & # , 8 % / " / # $ ( ) * + , - $. / , . + 8% 40 : 2 % $0 2 % / # ( % # 8 # & %
5 C ! ! $ ( ) , 8 D3
, E 8 / " + 77 # & % ) 7 7 / ) / ! " !## $ % # & ' % ( % ) * ! + $ # , * ! % - % * $ , $ . ' / % ' 0! 1 $ / 2 # & ' % ( % ) + *!344 ! !
F " " ! # ! # 0 ! 1
!! G % 7 7 #% # 3 # ) % % / 1 7 / 0 77 7 % 2 . ) " & 7 " ( / 7 7 " 2 % ( * 7 / . ) % % 7 & 7 # # & % / 7 " " $! " $! 0 '% * 7 / # % # 7 % ,# ,# ) " & ,# # # / - % " # & ## # # # 7 !!$ # # 7 % % 7 # # % " " 8 4 " # # : " 7 % 4 7 7 3- -44 - $3- $ -44-$5 % % " % % " $
B " $! " $! ! & 0 4 &
( (8 # " $ ' ! " # $ 0 ' ) 4 % # , 8 % 7 & / % / 7 % 7 4 & / / : 8 % / - 1 / ; = 7 7 % 8 / " $! " $! 0 '% 6 ' 0 !! ( ! ! # 8 % 77 ,# : : % / 77 # 7 8 % % 4 " % ## 7 % # # 7 # % 7 # (% " % % # / # 77 * ! %
C " $! " $! . 7 # 7 #
, *!*$ 0* ! % 8 % * $ , 2 5 ! " !## $ % # & ' % ( % ) * ! + $ # , * ! % - % * $ , $ . ' / % ' 0! 1 $ / 2 # & ' % ( % ) + *!344 ! !
% % 6'# & ' & % % ! (8
7 7 8 1 % / 4 % # / , % 7 7 7 " 8 % " $ 6 " # & % / 7 B & ! & ! % ! (% / 1 8% % " " 7 7 # / % - % " " # 3" 8 4 8 77 % % 7 8 # % , 7 # / 7 8 % % 8 7 (% # % # % % 7 $ !!$ 8 % 9!!$ ( 7 C " ) 8 % % 7 % 7 7 3F >F 7 / 8
F C & ! & ! # ' " !
, !7 # . % % # & 7 8 7 % % # % % 8 % % # , # / 8 77 0@ 77 2 8 % 8 , 8 % (% 6 " & % # , 3 * + , - $. / , . + * + , - $. / , . + $ 3 6 " # & / + 3 * ! % 0+ *!3442 # 7 3 6 " # &
F ' " ' " 2 0 + 3 *
! % 0+ *!3442 % 3 6 " " 7 * ! % % % 7 # (8 # " # 7 # 77 7 # *! 3 7 3- -44 - $3- $ -44-$8 % % " % % " $ ' " ' " $ " !9 ' % 7 % # # % 3 (% % % % 1 " 7 7 % 7 % 1 / # # % # 7 1 (% # 7 8 % # % 7 7 " # ,
' " ' " : 9 H % . &
7 % ' 9 ( # 7 7 " % 9 % % # !!$ % # (% 7 % # % % 8 % / 8 77 7 I J " !!9 (8 7 # , 07 2 3 * + , - $. / , . + * + , - $. / , . + 2 % 9 + # 7 # # 1 7 7 7 % " 7 9 H % 7 % 7 7 1 4 # & 7 7 7 $ 7 4 & 7 # : ' + 3 ' ( " $ ' + ' 47 ; K , ( " $ ' 4 L , 4 L , * ( % 47 MN E E E E + + + + ' " ' " ' 9 7 % % 7 % 7 3" 8 / % " 7 7 / % 7 % G 7 7 # # # % / 8 7 7 " O 7 % 7 7 / 7 % 9 / 7 7 % 77 % & % 7 7 % 9 7 M 8 % $ 0$ 3 6 " # & 2 0 6 " # & 2 $ 7 4 & 7 # : ' + 3 ' ( " $ ' + ' 47 ; K , ( " $ ' 4 L , 4 L , * ( % 47 MN + + + + E E E E
' " ' " $ % /: ## # 7
# # " 8% % 7 % % 7 7 % % + 8 8 " % 7 % % 8% % # / 8 7 % 4 % % 7 % : % 8% % % % ) % % 7 7 % 8 8 % 7 7 % # % 7 # 3 % 7 % 5 ' " ' " $9!!$ 0 #2 " 9!!$ 0 2 7 44 444 $9!!$ 0 #2 " 9!!$ 0 2 7 4 * ( % $9!!$ " 9!!$
& 6 " !!$ / 7 7 : 7 ,
# 77 / ) % 6 * ! % # 7 # , !!$ % ) 7 * $ " 8 6 " / 8 % # # $ " % % # / 7 8 % 7 $ 8% % 1 77 8 % # ## / # 7 " 9!!$ # " 6 7 * ! % % ,# / ,# / % % 8 % % 7 # , B % %