Commemorative Last.fm planning poker cards
Infographics for Invincible Iron Man #33 back up story (collaboration with Jamie McKelvie)
Design for Art Brut’s ‘Brilliant! Tragic!’
(collaboration with Jamie McKelvie)
6
8
7
She says she no longer has time for fiction
Well I disagree
If I have to live in this world
I want something better to read
Maybe you arrived on your own
But you won’t be leaving alone
I’m still here, just dog eared
You say people misunderstand you
Well I get misunderstood too
So let’s hang around together
And we can misunderstand each other
Maybe you arrived on your own
But you won’t be leaving alone
I’m still here, just dog eared
We’ve found a plot of land
Just for ourselves
We’ve started digging foundations
If you want to help
I’m still here, Just dog eared
I still see every schoolboy crush
as a missed opportunity
I want to turn up at their houses
See if they remember me
Monday morning double maths
You at the front me at the back
Martin Kemp Welch 5-A-Side
Football Rules
That’s all I learnt in school
Self portraits drawn in charcoal and chalk
A wavy line where I tried to talk
I used to dream of walking you home from school
And seeing the posters on your bedroom wall
Martin Kemp Welch 5-A-Side
Football Rules
That’s all they taught me at school
This world is fucked
And you’re an idiot
Take a long look at my middle digit
Trouble at home
And at school
But you’re watching over me from my
bedroom wall
When the world’s got you by the fucking throat
Who do you want in your corner? Axl Rose
No one understands me or even comes close
Who have I got in my corner? Axl Rose
No one’s going to tell me what to do
I’m going to do what the hell I want to
When the world’s got you by the fucking throat
Who do you want in your corner? Axl Rose
No one understands me or even comes close
Who have I got in my corner? Axl Rose
I want to give the world the finger
With the exception of my favourite lead singer
I want to give the world the finger
With the exception of my favourite lead singer
FUCK OFF
I know what you’re all thinking
That I know what you’ve all been thinking
You had to put in the hours
I was born with special powers
ESP IS GOOD FOR ME
I am the psychic
There is no point in whispering
All your secrets I can hear them
I’ve seen every scene you’re in
I know every sin you’ve sinned
ESP IS GOOD FOR ME
I am the psychic
Second guessing is doing your head in
You can try and hide your thoughts
But you will get caught
I am the psychic
Is Dog
Eared (6:17)
5 Martin Kemp Welch
5-A-Side Football
Rules (2:14)
Axl Rose (3:28)
I Am The Psychic
(2:44)
& © 2011 Art Brut under exclusive license to Cooking Vinyl Ltd. A
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Rights of the producer and owner of recorded work reserved. Unauthorised copying, hirin
g, renting, public performance and broadcasting of this record is prohibited. LC:7180
M
ade
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The
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| www.cookingvinyl.com | [email protected]
BRILLIANT! TRAGIC!
ART BRUT
Commemorative cookbook of my grandmothers’s recipes
(Collaboration with Monika Wensel & Sophie Wensel)
VICKI’S KITCHEN
by Victoria Koller
A collection of
heritage recipes
and their stories.
92 | Holidays
BARSZCZ (Beet Soup)
[BARSH-ch] Strain this Polish soup or leave it unstrained for an
everyday meal. On Christmas Eve, it is more special with uszka (soup
dumplings). It has been the main course of the traditionally meatless
Christmas Eve meal at Kathy’s home for years.
Cook beets by boiling in water. Remove and drain. Let cool, peel and grate.
Chop onion and sauté in oil until transluscent. Grate carrots, beets and cabbage (if
using) and add to onions. Cover with vegetable stock and add honey, vinegar, and
salt and pepper, to taste. Bring to a boil and simmer.
Top with sour cream and parsley. For Christmas Eve, place 3 to 4 uszka (p. 94–95) in
the bottom of the bowl before ladling in barszcz.
Serves 12.
stalk
½ cup
cups
¼ cup
¼ cup
for garnish
celery
onion
carrots
beets
cabbage if desired
vegetable stock
honey
white vinegar
parsley
0 VICKI’S TIPS 0
If you have sauerkraut in the fridge, use some
of the brine in place of white vinegar.
Add 1 can tomato soup for a smooth, thicker
consistency
Holidays | 93
94 | Holidays
USZKA (Soup Dumplings)
[OOSH-ka] Uszka means “little ears” in Polish. These dumplings are
usually served in Barszcz (p. 92–93).
Dough
Mix flour, egg and oil. Knead slightly. Cover and refrigerate while preparing filling.
Filling
Fry onions and oil in a large saucepan. Add mushrooms, lemon juice, salt and
pepper. Combine bread crumbs and parsley into the mixture. Once fully cooked,
allow to cool. Refrigerate.
Assembly
Roll the dough out as thinly as you can (the secret is in the thin dough!). Keep extra
dough covered so it does not dry out.
Cut into 1½" or 2" squares. Place ½ teaspoon of filling on each square. Pinch edges
together to form a triangle. Position with the hypotenuse at the bottom. Fold the
top down, then the left and right corners in and pinch or tie the corners together.
Drop into rapidly boiling, salted water, no more than a few uszka at a time. Cook
for approximately five minutes or until they float to the top. Remove with a slotted
spoon. Toss lightly with melted butter.
To serve, place a few uszka in a bowl and ladle hot barszcz over top.
cups
Tbsp
½ lb
Tbsp
½ Tbsp
Tbsp
to taste
to taste
flour
egg
oil
mushrooms
onion minced
vegetable oil
bread crumbs
lemon juice
salt
pepper
0 VICKI’S TIPS 0
Filling is best if made the day ahead.
Save a small amount of pierogi
dough to make uszka.
Holidays | 95
1. Put filling on square of dough.
2. Fold dough over and pinch to seal.
3. Fold down top, then corners.
4. Pinch or tie corners to secure.
Identity for the Manhattans Project
LONG
VINEGARED G&T
Hendrick’s Gin, elderflower and tonic with a
smidgen of dessert wine vinegar. Refinement
personified, then turned into a drink. £8
ITALIAN PALE ALE
Flying Dog ipa and Campari, served over ice
with a grapefruit wedge. To be honest, we
didn’t expect it either. £7
HOUSE CLASSICS
TOM COLLINS
LADY MACBETH
SHERRY COBBLER
RED HOOK
A rotating list of classics we think deserve a
little more attention. All £8
At the Manhattans Project, we like great booze,
strong drinks and have a penchant for classics.
We like questions too, so please talk to us if you
have any about the menu.
No vertical drinking. Discretionary 12.5%
service added.
SHORT
HOUSE MANHATTAN
Rittenhouse 100, softened with cognac,
rounded with a blend of vermouths and
topped with a homemade brandied cherry. It’s
pretty much our thing. £10
MOONSHINE BOULEVARDIER
Redneck Georgia Moon goes to finishing
school with Aperol, Campari, Cocchi
vermouth and peach liqueur. Dang she done
scrub up purdy fine. £10
GREENGAGE OLD FASHIONED
Bourbon’s night off. La Penca mezcal
brightened with old-timey greengage
syrup, stirred down over ice with a dash of
Peychaud’s bitters. £10
LAPSANG MARTINEZ
Fruity Tanqueray 10, Lapsang tea and Talisker,
mellowed with Antica formula. Smoky and
complex; half Churchill, half Roosevelt. £10
7 RUM MAI TAI
If you like rum so much why don’t you go live
there? A Tiki mix of seven rums, manhandled
into submission with almond syrup and fresh
citrus. £10
CLASSIC COCKTAILS DONE RIGHT
PDQKDWWDQVSURMHFWFRPŤWZLWWHUPDQKDWWDQVPRJCTŤIDFHERRNPDQKDWWDQVSURMHFW
Design for Salomon Orchestra’s 50th year
Newman Fox Fanfare
Williams Star Wars Main Title
Korngold The Sea Hawk
Arlen Over the Rainbow from The Wizard of Oz
Walton Battle & Bailero from Henry V
Herrmann Salammbo Aria from Citizen Kane
Gershwin An American in Paris
Int er val
Jarre Lawrence of Arabia Overture
Steiner Tara’s Theme from Gone with the Wind
Schönberg I Dreamed a Dream from Les Misérables
Bernstein On the Town (3 Dance Episodes)
Goodwin 633 Squadron
Sample One Day I’ll Fly Away from Moulin Rouge!
Williams Hedwig’s Theme from Harry Potter
Williams Flying Theme from E.T.
29 June 2013
C ad o g an Hall
Philip Ellis
Conductor
Olivia Safe
Vocalist
Edward
Secker son
Compère
was made for the screen and has only recently been made into a stage show.
Harold Arlen and his librettist e.y. Harburg were hired by mgm to write the
songs and they won the 1939 Academy Award for Best Original Song. ‘Over the
Rainbow’ has subsequently received many accolades including being named
as the American Film Industry’s “Song of the Century”, and yet mgm ’s chief
executive, Louis b. Meyer wanted to drop the song as he felt it slowed down the
dramatic action. How wrong he was!
SIR WILLIAM TURNER WALTON (1902 – 1983)
Battle & Bailero from Henry V
A few years later the Oscar for original score was
awarded to a British film. When in 1944 Laurance Olivier
made his film of Shakespeare’s Henry V he invited
Walton to compose the score. Walton subsequently
extracted several scenes to create a concert suite, and it
is the third movement that we hear tonight: ‘Charge and
Battle’ was the soundtrack to the Battle of Agincourt.
Walton cleverly contrived to give his music a sense of
the period, even though his musical language is firmly
rooted in the twentieth century. As the battle subsides
he even incorporates a reference to the French folk
song: ‘Bailero’.
BERNARD HERRMANN (1911 – 1975)
Salammbo Aria from Citizen Kane
Released in 1941, Citizen Kane is regarded by many
as the greatest film of all time. Directed by and
starring Orson Welles it is the rags to riches story
of media tycoon Charles Foster Kane, a character
based partly on William Randolph Hearst. Its
importance as a film is due to the innovative
techniques employed by the director, from telling the
concert programmes alongside Beethoven, Strauss and Wagner. Following the
success of the first trilogy, John Williams went on to compose the music for the
Prequel trilogy in 1999 – 2005 and it has recently been announced that he will
continue to work on the project as it enters its third phase in 2014.
ERICH WOLFGANG KORNGOLD (1897 – 1957)
Sea Hawk
Of course using leitmotifs in film scores was nothing new. A
generation earlier Erich Korngold was winning Oscars using
the same compositional techniques. In the early years of the
twentieth century Korngold impressed both Mahler and Strauss
with his youthful compositions and by the early 1930’s he had
established himself as one of Europe’s leading composers of
concertos and operas. He was originally invited to Hollywood in
1934 to work on an adaptation of Mendelssohn’s music for A Midsummer Night’s
Dream, and then, four years later, Warner Brothers invited him back to work on a
new project. It was during this visit that Germany annexed Austria and it became
too dangerous for Korngold, a Jew, to return home. He settled in California and
incorporated operatic techniques into his film music, winning an Academy Award
in 1938 for his original score to The Adventures of Robin Hood, starring Errol
Flynn. He was nominated again in 1940 for his next project, another historical
swashbuckler, but in The Sea Hawk Errol Flynn was cast as a heroic English
sea-captain in the time of the Armada. In this music Korngold used leitmotif
development to compose a symphonic score that has stood the test of time more
successfully than the film itself.
HAROLD ARLEN (1905 – 1986)
Over the Rainbow from The Wizard of Oz
Judy Garland’s signature song was the Oscar-winning:
‘Over the Rainbow’ from the 1939 mgm musical
fantasy The Wizard of Oz. Unlike many film musicals,
which are adaptations of existing stage shows, this
programme.indd 6 18/06/2013 01:01
Logo & design for THREE (collaboration with
Kieron Gillen, Ryan Kelly & Jordie Bellaire)
$2.99
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